- Jonathan Chang, a Taiwanese designer and illustrator based in Los Angeles, is the creator behind iconic portraits of anti-Asian hate crime victims that were shown on billboards in Times Square during Michelle Go’s candlelight vigil.
- The illustrator says he wanted to honor his subjects while raising awareness about the violence AAPI communities have recently faced.
- He continues to document the Asian lives lost due to racism and hate. His viral portraits of many victims (deceased and surviving) can be seen in rallies and all across social media and publications.
- “I hope people can focus on the victims and know that these are all real people, and it could have been any one of us,” Chang said.
As the only Asian kid in class, a young Jonathan Chang, who had immigrated to the U.S. from Taiwan at the age of 3, felt out of place.
At 10 years old, he figured that slowly replacing parts of himself would make him less different. When he couldn’t understand the cartoons shown on American television, his frustration pushed him to spend more time watching them. He would watch “Teenage Mutant Ninja Turtles” over and over until English words rolled off of his tongue like it was his first.
Masayuki Uemura, the lead architect behind the creation of the Nintendo Entertainment System (NES) and the accompanying Super Nintendo Entertainment System (SNES) passed away at the age of 78 on Dec. 6.
Revolutionary: Uemura pioneered two consoles that would contribute to the revival of a declining home video game industry, and it all started from what he thought was a joke from his boss.
A Korean social worker who dedicated her life to helping build families through international adoption has died at 83.
What happened: Hyun Sook Han, affectionately known by friends and family as Mrs. Han, passed away from kidney cancer in her home in St. Paul, Minnesota, on Nov. 5, according to The New York Times. Her funeral was attended by a crowd of adoptees and parents whom she helped during her service to her community.
Warning: Contains spoilers
Netflix’s “Squid Game” has audiences captivated by the show’s take on childhood games with a deadly twist. As 456 players compete for the ultimate cash prize, police detective Hwang Jun-ho begins to unravel the sinister organization behind it all. The actor who plays him, Wi Ha-jun, is among many members of the show’s cast that have risen to global popularity along with the show.
Warning: Contains spoilers
Prior to the release of Netflix’s global hit “Squid Game,” Lee Byung-hun, who plays the Front Man, was already one of South Korea’s top actors. And while the show has dominated Netflix’s streaming charts in over 90 countries, including the U.S., reaching international stardom wasn’t an easy journey for Lee, who revealed only six years ago that some Hollywood actors wouldn’t even look him in the eyes because of his race.
Amid all the gruesome and disturbing yet brilliantly made scenes in the global hit K-drama “Squid Game” shines one breakout star that fans just can’t seem to get over. Playing the role of North Korean defector Kang Sae-byeok in her first-ever acting gig, Jung Ho-yeon has risen to international fame as the series tops Netflix’s most-watched list around the world.
Before the series premiered on Sept. 17, the 27-year-old had already made a name for herself in the modeling industry. She began her career in 2013 as a participant in another cutthroat, yet far less deadly competition, “Korea’s Next Top Model,” where she finished in second place. Soon after, she made appearances at Seoul Fashion Week before working her way up to the international scene.
For the first time since its inception in 1984, Mrs. World — a pioneering pageant for married women — crowned a Vietnamese candidate earlier this year.
Born to immigrant parents and raised in Seattle, Jennifer Le won her first crown at the age of 17, just before pursuing a bachelor’s degree in business administration at the University of Washington.
It was through watching “Blue’s Clues” and singing the “Mailtime” song with his little sister at the age of 7 when Josh Dela Cruz knew that he wanted to sing and act.
Now, after more than 20 years since it premiered on Nickelodeon, the live-action/animated children’s show is returning to TV with Cruz as the new host of the reboot series “Blue’s Clues & You!”
When it comes to entertainment, I believe we’re all subconsciously searching for characters or plot lines we can relate to — something you can watch and say to yourself, “that’s so me.” Whether I was explicitly aware of this or not at the time, I was craving this relatability even as a child. Perhaps this is why I felt a certain level of discomfort towards the live-action sitcoms or romcoms my white friends were so drawn to. And perhaps this is why I always turned to animation and cartoons for comfort instead.
In animation, there were no expectations of characters that resembled myself; after all, what could anyone, regardless of race, possibly have in common with a sponge living in the ocean or a magical dog?
Certain artists live their whole lives dreaming to shine on stages: not Trace. She’d already seen the life firsthand as the daughter of legendary Vietnamese singer Carol Kim. She’s maintained a good relationship with her mother, but was always going down a different path.
There’s a popular clip on YouTube from Korea’s rap reality show, “Show Me The Money”, showcasing the Team Battle Mission segment in which contestants duke it out in a scripted rap battle on stage. The two contestants are Donutman, a more-or-less obscure Korean rapper who has received some controversy for his pro-marijuana stances, and a rapper named Flowsik from Queens, New York.
Flowsik sets the battle off by spitting rapid flows over the instrumental to Desiigner’s “Panda,” one of the year’s top tracks. He’s composed and malevolent; he throws Korean won on the stage and sizes up Donutman’s team members, telling him he’ll “chop him up like Lee Yeon-bok” in his signature gruff, husky vocal tone. Donutman fails to impress with a shorter, messier team-oriented rap over The Throne’s “Otis,” in which he takes shots at Flowsik’s age. At the end of the video, contestants and judges agree that “Flowsik did better.” Their assessment was rather measured.
“I feel like I was put here to do this. When I cook, I feel something.”
That’s something Jenny Dorsey told me about 30 minutes into our 40 minute interview over the phone. It’s hard to pick quotes from her because she gives you so many to pull. I struggle to keep up at times; it took hours to narrow down something resembling a transcript, and now it takes longer for me to choose what to select. Nothing she tells me can be left out of this article with ease.