Artist Warns Foreigners NOT to Move to Japan to Work in Anime Because of Painfully Low Paychecks

Artist Warns Foreigners NOT to Move to Japan to Work in Anime Because of Painfully Low Paychecks

April 25, 2019
A Japanese animator has completely rejected the idea of
Terumi Nishii, whose major credits include “JoJo’s Bizarre Adventure: Diamond is Unbreakable” and “A Town Where You Live,” explained her side on her second Twitter account, which reportedly functions as her primary connection to international otakus.
For the record, Nishii does not oppose internationalization, a phenomenon some citizens have actively rallied against.
Instead, she discourages foreigners from making the decision, as anime workers — like many of Japan’s employees — have been suffering from overwork.
View post on Twitter
“No matter how much you like anime, it is not advisable to come to Japan and participate in anime work,” Nishii wrote in a tweet. “Because the animation industry is usually overworked.”
“Japanese animation is surprisingly low budget. But the quality is high. That is because they have low wages and work long hours. Even if it is impossible, the budget will not go up,” she added.
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Nishii reportedly started as a rank-and-file animator. For the long hours she had put, she made a measly 2,800 yen ($25) on her first paycheck.
After her first year, that figure rose to 60,000 to 100,000 yen ($537 to $896), but such remains meager considering that the minimum wage in Tokyo is 985 yen ($8.80) per hour. And still, her promotion to character designer later did not improve her working conditions.
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Nishii pointed out that in order to survive, many animators rely on their parents’ money. For context, a 2016 survey conducted by the Young Animators Assistance Council revealed that 35% of employees with less than three years of experience still lived with their parents, while another 18% who lived by themselves still relied on some form of allowance.
“Japanese anime has nothing like royalty or revenue sharing for character designers. The material we drew is collected and discarded,” Nishii wrote.
View post on Twitter
For such issues that have long crippled workers in the industry, Nishii believes that foreign capital may provide a boost. Additionally, she anticipates a generational shift as more Japanese animators work with foreign talent.
For now, Nishii does her part in making change: she has worked on character designs for “Saint Seiya: Knights of the Zodiac,” a reboot of the same title releasing on Netflix. Check out the trailer below:
Featured Images via Twitter / @Nishiiterumi1
      Carl Samson

      Carl Samson
      is a Senior Editor for NextShark




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